Special Issue: Seeing Bach
Co-Edited by Erinn E. Knyt and Christina Fuhrmann
Following the Prelude: Visual, Sonic, and Structural Interactions in Koka Nikoladze’s How Things Fall (2021)
RAM REUVEN
Seeing Combinations: Sol LeWitt and Visual Modes of Expression in the Music of Johann Sebastian Bach 219
EDWARD GOLLIN
Post-Secularism and Presentism in Hugo Niebeling’s St. John Passion Film: Es wäre gut, daß ein Mensch würde umbracht für das Volk (1991)
JEROEN VAN GESSEL
Dona nobis pacem (?): John Neumeier’s Choreomusical Translation of Johann Sebastian Bach’s Mass in B Minor
EFTYCHIA PAPANIKOLAOU
Reviews
Bach: The Cello Suites by Edward Klorman
Review by DAVID STARKWEATHER
Bach’s Church Cantatas by Ruth Tatlow
Review by ANDREAS LOEWE
Lutheran Music and the Thirty Years War: Confession, Politics, Devotion by Derek L. Stauff
Review by CHIARA BERTOGLIO
The Making of European Music in the Long Eighteenth Century by D. R. M. Irving
Review by YI CHING (KEVIN) TAM
Contributions to this Volume
Announcement
Martha Goldsworthy Arnold Fellowship at the Riemenschneider Bach Institute
American Bach Society Frances Alford Brokaw Grant at the Riemenschneider Bach Institute